The John F. Kennedy Center for the Performing Arts Presents | |||||
the Persian New Year, Noruz On March 24, 2001, 6:00-7:00 pm EST On the Millennium stage of the John F. Kennedy Center for the Performing Arts
Live webcast at
http://www.kennedy-center.org/
NAVA, the Iranian Young Players Ensemble and Masters led by Shahriar Saleh present:
The list of songs to be played, are as follows:
|
Nava Masters
Dr. Houshang Hojjati: As a practicing physician, a gifted painter,
and a physicist, he has a vast knowledge of Persian art. He has a wonderful
voice and has performed in many cultural and academic circles. He has
published a book on accoustics and the Iranian music, as well as some great
recordings.
Katayoon Hodjati: An active flute performer and teacher, she is
currently a freelance player and instructor in the Washington D.C. area.
Katayoon holds a B.M. in flute performance from Oberlin Conservatory. She
has been a winner in flute competitions and has played and taught flute
internationally.
Arya Saleh: He began practicing violin at the age of seven with
his father. As a young player, has played with the Washington Symphony
Orchestra. At the age of eighteen, he has an excellent command of this
instrument and a good exposure to both Western and Persian classical songs.
Shahriar Saleh: He has been teaching, recording, archiving and
performing Persian Classical music for the last thirty years while working as
a project manager with NIH. He plays the authentic hammer dulcimer,
Santur. Invited by the Kennedy Center for this performance, he is
proud to have other prominent musicians join him to present this program to
the world.
Nava Young Players
|
Persian music is based on twelve principal modal systems: seven primary
systems called Dastgahs and five secondary systems called Sub
Dastgahs or Avaz. Each system is divided into a series of
melodic sequences linked to each other in an unresolved continuity.
These sequences are called Gusheh and their number varies
depending on the Dastgah. Each Dastgah or Avaz
constitutes a specific scale having three distinct notes: (a) Shahed
(witness or root note), regarded as the tonal or modal center of the
Dastgah (Key); (b) Eest (rest note), a temporary rest place
for the melodies before as they gradually incline; and (c) Moteghayer
(the variable note), which produces expressive colors. The entire group
of the systems taken together constitutes the repertoire of Classical Persian
Music or Radeef a word that means arrangement and order. Most of
Radeef has no meter and follows a speech-like rhythm, but it also
contains rhythmic pieces that normally have drum accompaniments.
The compositions are mostly based on the Radeefs. They include a
Peesh Daramad, sometimes stately or lively piece, as the introduction
of the Dastgah played by an ensemble in unison; the
Chahar-Mezrab a virtuoso solo number with driving rhythm; the
Tasneef (a lyrical song) and a Reng a dance-like piece
usually in 6/8 meter.
Dastgah of Mahur is chosen for this performance.
|
|||
Additional information available at http://nava.hadavi.net/. |
|||||
This event is free and open to the public. It can also viewed, live on the Internet at http://www.kennedy-center.org/ . | |||||